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He felt is "used by DJs powering the turntables and on BART."This received us thinking about a great contradiction, the audiophile basshead, and the expanding figures of headphones tuned to fulfill much more discerning DJs, digital producers, and club music enthusiasts. DJs have usually experienced headphones they have had great headphones, even. Numerous brands including Pioneer, Denon, Sony, AudioTechnica, and Sennheiser have much more than competent DJcentric entries in their lineups. A great deal of models, nevertheless, have concentrated primarily on portability, durability, and isolation, and had been cheap beats by dre solo voiced to be used primarily at gigs. In most DJ headphones, a personal subwooferlike feeling emphasizes the rhythm, while the highs are rolled off to decrease listening tiredness when cheap beats by dre competing with the house system's quantity. Now, nevertheless, electronic dance songs isn't relegated to clubs, so the new breed of headphones offers some physical flare without as much woefully unbalanced sonic embellishment. Here's a selection of sets that will tighten up playback whether or not you are enjoying the newest Fabric mix on your commute, creating a monitor, or immolating a crowd with bass. Introduced in 2010, the matte black beats by dre on sale rubberized TMA1 ($199) from Danish company AIAIAI is aimed squarely for the Pitchfork/blog home group, and with a minimalist style and punchy precision it quickly established a existence. The firm's branded editions, including ones with the Fool's Gold label and Beatport on-line songs shop as well as its weblog entries about issues like the DFA label documentary fairly well illustrated the type of fashionconscious smartphonetoting consumer becoming targeted. For that reason, the TMA1 is an easily driven, powerfully resonant onear headphone comfortable for long periods. It provides a comprehensive presentation without becoming piercing, concentrating on heat and sibilancefree power (which means you can pound your Justice and ATrak information longer). Oriented for spherical, lowslung tones, however, the TMA1 was admittedly a little soft when it came to vocals and much more prolonged treble. For that reason, in 2012 AIAIAI launched the TMA1 Studio ($249), a similarly styled aroundtheear headphone that offers a nonetheless energetic but much less coloured staging. It pulls back again a little of the subbass boominess and opens up a bit of the midrange, setting up coherence while offering two sets of earpads that allow you choose between improved clarity or a smidge much more rumble. With vocal home, footwork, and large synth leadanchored anthems all the rage (believe Avicii, Disclosure, DJ Rashad, Classixx), these crisp but not intense headphones nail a sweet spot for those much more focused on production rather than performance. Whereas AIAIAI introduced its item with DJ/producers initial in mind, SOL Republic emerged with followers of said DJ/producers as its target market, rapidly launching celebrityendorsed models (including Steve Aoki, Deadmau5, Benny Benassi and LA Riots) and declaring notable bigbox shelf area. This shouldn't come as a surprise, as the company, which holds company offices in San Francisco, was cofounded by Kevin Lee, son of Noel Lee (founder of Monster) and an instrumental